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当代艺术群展
联合策展
佛山，
2024.5-2024.7
《21g》 是一场当代艺术群展，围绕“灵魂是否具有重量”这一既具象又难以证实的命题展开讨论。展览以“21 克”这一历史性实验结果作为引子，将其视为一种象征性的假设，而非可被验证的结论，从而引导观众重新思考精神、情感与存在经验在当代语境中的位置。
21g is a contemporary group exhibition that explores the question of whether the soul possesses weight — a proposition that is at once concrete in form and yet impossible to verify. Taking the historical figure of “21 grams” as its point of departure, the exhibition treats this result not as a scientific conclusion, but as a symbolic hypothesis, inviting viewers to reconsider the place of spirit, emotion, and lived experience within a contemporary context.
展览汇集多位年轻艺术家及艺术团体的创作实践，涵盖影像、装置、行为与摄影等媒介。策展并未试图为“灵魂”或“重量”提供统一解释，而是通过作品之间的并置与空间组织，构建一个开放的观看结构，使观众在具象与抽象、可测量与不可测量之间不断转换视角。
The exhibition brings together the practices of emerging artists and artist collectives, working across media including video, installation, performance, and photography. Rather than offering a unified definition of either “the soul” or “weight”, the curatorial approach constructs an open viewing structure through the juxtaposition of works and the organisation of space, allowing perspectives to shift continuously between the concrete and the abstract, the measurable and the immeasurable.
通过这一结构，展览关注的不仅是“灵魂是否具有重量”，更是当代个体如何在试图量化不可见之物的过程中，重新理解自身经验与存在状态。
Through this structure, the exhibition is concerned not only with the question of whether the soul has weight, but more broadly with how contemporary individuals attempt to quantify the invisible, and how such attempts reshape their understanding of personal experience and states of existence.
作为联合策展人之一，本人提出了展览的核心概念与研究方向，并与另一位策展人共同完成了展览结构的梳理、艺术家与作品的选择，同时也参与了展览文本的撰写，以及展览实施阶段的沟通与现场协调工作。
As one of the co-curators, I initiated the core concept and research direction of the exhibition, and worked closely with the other curator on developing the overall structure, selecting participating artists and works. I was also involved in writing the exhibition texts, as well as in communication, coordination, and on-site organisation during the implementation of the exhibition.
21g is a contemporary group exhibition that explores the question of whether the soul possesses weight — a proposition that is at once concrete in form and yet impossible to verify. Taking the historical figure of “21 grams” as its point of departure, the exhibition treats this result not as a scientific conclusion, but as a symbolic hypothesis, inviting viewers to reconsider the place of spirit, emotion, and lived experience within a contemporary context.
展览汇集多位年轻艺术家及艺术团体的创作实践，涵盖影像、装置、行为与摄影等媒介。策展并未试图为“灵魂”或“重量”提供统一解释，而是通过作品之间的并置与空间组织，构建一个开放的观看结构，使观众在具象与抽象、可测量与不可测量之间不断转换视角。
The exhibition brings together the practices of emerging artists and artist collectives, working across media including video, installation, performance, and photography. Rather than offering a unified definition of either “the soul” or “weight”, the curatorial approach constructs an open viewing structure through the juxtaposition of works and the organisation of space, allowing perspectives to shift continuously between the concrete and the abstract, the measurable and the immeasurable.
通过这一结构，展览关注的不仅是“灵魂是否具有重量”，更是当代个体如何在试图量化不可见之物的过程中，重新理解自身经验与存在状态。
Through this structure, the exhibition is concerned not only with the question of whether the soul has weight, but more broadly with how contemporary individuals attempt to quantify the invisible, and how such attempts reshape their understanding of personal experience and states of existence.
作为联合策展人之一，本人提出了展览的核心概念与研究方向，并与另一位策展人共同完成了展览结构的梳理、艺术家与作品的选择，同时也参与了展览文本的撰写，以及展览实施阶段的沟通与现场协调工作。
As one of the co-curators, I initiated the core concept and research direction of the exhibition, and worked closely with the other curator on developing the overall structure, selecting participating artists and works. I was also involved in writing the exhibition texts, as well as in communication, coordination, and on-site organisation during the implementation of the exhibition.